Thursday 31 May 2012

The X Factor, Live in London at the O2

Summer has started, and I've only been home a week, yet I've picked everything up from where I left it, it's as if Winchester is a completely separate life my twin lives. The only thing that stops that thought straight in its tracks is the huge load of unpacking that I am yet but never going to do. It's been a good week so far, caught up on some much needed sleep, seen some friends, soaked up the sunshine and most importantly had some greatly missed family time.



The highlight so far has been my trip to the O2 Arena to watch the X factor live. When we arrived, all excited and eager we were told they had reached the maximum capacity and we couldn't get in, you can imagine the disappointment after waking up especially early at 7am and travelling all that way. Luckily we waited and all of those on standby were granted what felt like a golden ticket, a huge sigh of relief. We turned the corner and was literally part of a cat and mouse goose chase to the entrance of the studio; it was a never ending winding path of  railings, but eventually a dizzy queue could take their seats. 


Ian Royce the comical warm up was a great sport keeping us entertained between intervals. Dermot O'learly introduced the judges (Gary, Tuslisa, Louis and guest judge Nicole Scherzinger) in to the arena, all of which were warmly welcomed with a roaring cheer from the 5000 of us. I have to say, with  the X factor what you see is what you get, it was not as fake or staged as I thought it was going to be. The audience were left to their own judging device, and in a way we were heavily depended on as the 5th and most important judge. If we all gave a good and positive reaction towards the contestant the judges were swayed, and if anything we disagreed and boo-ed a lot of the judges comments. I was surprised how much time they gave to the contestants asking them questions and giving praise, or in other cases polity letting them down. Overall I was extremely impressed with the level of talent, everyone could sing apart from the very few entertainers that thought they could. There was definitely a surprising handful of people that stood out for me, and to be able to be apart of it and witness their audition in real time was far more pleasurable then watching it on TV. You could really appreciate the reality of it and their dream, and with the small minority an overwhelming standing ovation was a real heart felt moment. 

A student-like moan is a perfect note to end on, the prices for food at the O2 were unbelievable, even those that haven't been on a tight student budget felt the crunch. £8 for a cheese and ham panini! I mean really? I gave in and got chips, but even they were expensive, £3.40 for a portion of about 13 chips, what a good deal... Thankfully, we didn't starve because we prepared ourselves with some good ol' Sainsburys munch in advance. 

I took note of all the different roles involved in the production of The X Factor, and it made me appreciate how hard they work to make it a success. Without the crew there would be no show. I'm looking forward to watching how it is edited and portrayed on TV in September! 

Monday 21 May 2012

Graham Marshall Interview

Our first year as young freshers is coming to an end, and these last few weeks have been packed with useful training... of course with the help of the second years; all in aid of helping us progress to join the WINOL team next year. We've been given plenty of advice, the do's and the don'ts and told about all the highs and lows, a definitely needed heads up for the daunting year ahead.

We were all assigned a second year student to produce a profile on their roles and contributions to WINOL. We shadowed Graham Marshall, transport and environment reporter on WINOL and contributor towards WINOL GAMES. It was an interesting week observing the daily routine of news room roles through to production and studio work. It gave us a great opportunity to experiment with the cameras, get to grips and refresh ourselves with final cut pro and all in all make mistakes that we can  learn from. Most importantly we produced our first package, and here it is:



With Special Thanks to Graham Marshall for all your help. 

Friday 11 May 2012

Witnessing WINOL

Today marked the start of TV production, something I have become increasingly interested in after visiting riverside studios and even more so after watching the hardworking 2nd years produce WINOL. Both experiences were interesting, entertaining and overall a learning curve, especially the professionalism and commitment the students have in the studio/gallery here.

It was a great day, I got to observe all the different roles, from director to editor to presenter to backstage production, such as VT 's packages, sound and and auto-cue (I even did a bit of controlling the auto-cue!) They taught me a lot, but one thing I have certainly grasped is the importance of team work...no matter what role you have you all need to pull together, because everyone plays a part no matter if its as little as pressing buttons. We are all important and relied upon. 

I was told to "just do it" it may sound harsh, but its the only way to get out of your comfort zone. I backed out of everything I was asked to do if it involved being in front of the camera, but I guess I am going to have to tell myself that if I never do it, I'll never get over it. If you are like me and you live in a box your whole life, and anything out of that box you run away from, then this a fear we have to shake off. It's time to step out of it and experience it all, we are all bound to make mistakes but we all know that's the best way of learning. 

The whole atmosphere was encouraging and productive, I am sure it's a lot more intense when it's the day of the live bulletin but its lovely to see the supportive and uplifting nature they had between one-another. It was extremely daunting and nerve-wracking to think that'll be us freshers next year! It made me realise how scary it is to be on the other side of the camera, but they have all got on with it and are now comfortable with what they do. Everyone listened to each other, they were very authoritative and in control at all times, I know they will be good trainers and hopefully we can follow in their footsteps and maintain the high standard they have set.

Thanks for all the advice, your patience and reassurance is appreciated! :) 

Monday 7 May 2012

The Guardian: Converged from Print to Online

New media evolve from old media, and such developments shape our societies and social structure. The printing press was first set up by Johannes Gutenberg in 1440 signalling the beginning of print newspapers, this allowed news to be distributed in a written format for the first time. However, the 21st Century marks vast technological developments, making news widely accessible in new media forms, such as: television broadcastings, internet, social networking sites and mobile phones.

The Guardian is a well established newspaper, which was first published in 1821. I have chosen The Guardian as my converged text because it demonstrates how print has expanded into new media platforms; it illustrates how a text can be written once, but published everywhere. This supports Lister’s definition of convergence as he believes we are one of the reasons for convergence, as it is us who migrate across these platforms. The Guardian was at its peak during 1987, with an average circulation of 494,000. By 2011, the circulation had dropped by more than half, with an average of 230,541, proving that the popularity of print declined. News stories by The Guardian are available in many different ways- the main source is their website online, which contains articles and photography similarly to a paper. However, additional multimedia features are exclusive to their website, such as videos, which add interaction and visual appeal. The audio and podcasts feature allows consumers to select what they listen to based on their own interests, and the production of Guardian Films is also aired online. This is a new dimension of coverage which no other newspaper has done, it was set up to extend internationally and showcase investigative journalism through film and video. Their website is the core route to all online media as it advertises the other dynamic avenues of getting news. The ‘news direct to you’ section at the bottom of the page highlights the digital benefits of downloading The Guardian App on to a mobile phone, iPad or Kindle; all of which offer a portable service. Twitter was established in 2006, this social networking site attracts organisations and people of all ages. It keeps followers informed by broadcasting breaking news and headlines as it happens. It has the fastest news turnover due to user generated content and through their hash tagging system conversations can be grouped. Twitter also publishes the front page of tomorrow’s paper, which is an additional benefit.

The Guardian is printed in a Berliner format; which is taller than a tabloid, but shorter than a broadsheet. The size of the paper is a notable factor as the Berliner format needs to be folded out, making it awkward to hold and harder to file through. In contrast, the app is far more condensed, and articles are arranged in a thumbnail format, allowing consumers to choose a story that appeal to them.

“The traditional newsprint business is one that will struggle to grow from where it is and I will argue that there will be fewer newspapers in the future than there are today”James Murdoch explains how media in a digital environment allows journalists to produce content by the consumption of others, once it’s published online in one place, it can then be republished in another place. A prime example of this is twitter, as users generate content that can be re-tweeted and shared between people. Murdoch describes this figuratively as a “genie out of a bottle”, essentially saying that once it’s published online publicly, users can consume it, contribute and then distribute it around.

The readership of The Guardian are those in the ABC1 demographic bracket, 53% of readers are male and 47% are female. These statistics show that the paper is not gender-bias. Every individual is categorised and labelled based on social demographics such as age and income. Media corporations believe they can predict our interests and make presumptions about our tastes based on these demographics. However, social media change allows us to avoid these titles, as the online community can connect with each other freely based on interests. Media organisations can then determine what is a successfully driving the market, by monitoring users click history. The Guardian was previously classed as a university paper appealing to educated students and adults. The greatest percentage of readers is 15-24 year olds, which compares to the average UK adult reader being over the age of 65. The advantage of technology is that news can be accessed for free, this cuts company costs as well as reach out to a younger audience who are frequently connected to electronic sources. On the other hand, this could be a disadvantage for the older cliental as they may not be knowledgeable with the digital media. A study in 2008, proved this, as 87% of the general public that regularly went online to access news were between 18-49 years old, and those over the age of 50 were a small minority of 27%. News online is viral because people spread it over social networking sites such as Facebook and Twitter which are common amongst a younger generation. Presently, the majority of online users are youthful, but content will mature as they get older, and gradually the proportion of people online will be both old and young people. Upcoming generations will be brought up into society with technology, and when the young techno-savvy generation of today grow older, they will already be knowledgeable within the digital environment. The media world is extremely competitive; newspapers want to have quality content and be the best selling paper on the market. The free market model theory, whereby consumers can choose what they like to buy and sell without government control enforces need for a competitive strategy. Papers want consumers to purchase their paper over another, therefore aim to target and monitor market forces, to provide a service that appeals to their audience, and outranks their competitors. This is the focal reason why brands such as The Guardian expand into versatile avenues within multimedia in order to keep up to date with the competitive demands of the media market.

Technological determinism suggests that technology is the ‘prime mover’ in shaping our social and culture factors within society. Technological developments has enhanced the company’s brand, and made it widely recognisable. Branding is extremely important in the media society; it is how the company becomes established innovatively against its other competitors. Branding is more than just a logo, the company’s values and personal identity builds the brands reputation; design, advertising and marketing all play important roles in this. News is everywhere, when it comes to our attention the company is instantaneously known because of symbolism and branding which make audiences identify it. The Guardian’s symbol is a ‘g’, when it is visible, peoples mind immediately associate it with the paper. The Guardian is a trusted brand which has built up its reputation through its identity and values, the website outlines the brand as “taking a fresh approach, we are modern, individual and sometime unconventional”; they commit to “quality journalism, photography and design” and “value confident, intelligent and investigative journalism”.

Advertising is the strongest factor in establishing ones brand; The Guardian has promoted their open journalism through the ‘Three little pigs’ advert which displays how this childhood tale would be covered in both print and online. It demonstrates the concept of ‘the whole picture’, and the convergence of the World Wide Web, iPads and Smartphone’s from print. The advert portrays the digital modern world, and how we are all closely involved in the spread of news.
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Rupert Murdoch “predicts newspapers could die out in 10 years” this is because of the fundamental changes journalism has undergone. In today’s society, journalists engage with their readers because of the diverse and ever-growing online media interactions. Alan Rusbridger, editor of The Guardian, explains why open journalism is important. He describes how the development of journalism has changed drastically since the 19th and 20th Century, and how in today’s modern society, information is "parcelled up, moved around and shared”. Readers are no longer passive recipitants, they have become responsive and apart of journalism themselves; contributing towards giving a more accurate representation of the truth. Audiences play a more active role, through the popularity of twitter, blogging and passing on direct links, this is the central core of networking.