Showing posts with label Features. Show all posts
Showing posts with label Features. Show all posts

Sunday, 11 May 2014

Eric Allison: Prisoner to Prison Correspondent



“In prison I used to get put in segregation for saying my piece and yet here I am giving you my comments and my thoughts and getting paid.”


Eric Allison, 71, spent around 16 years behind bars all for theft related offences. In 2003, he applied for the job as the Guardian’s Prison Correspondent with a criminal record for a CV. In the past decade, he transformed his life from a prisoner to a prison reporter.


As a young boy, aged 11, Allison got his first conviction for housebreaking on his criminal record, and three years on, at 14 he was given his first custodial sentence.

I was always pretty anti-authority; if somebody told me to do something I would go out of my way to not do it.  I was very rebellious. I wasn’t very happy as a child. I had quite a bad stammer and a squint in my eye, and I used to get a lot of name calling and I would fight them. I was always fighting as a kid, and I stopped going to secondary school. I was away from school far more then I attended.

I ran away from home and broke into a day nursery to sleep. I was caught and put on probation and when I was 14 years old I breached that probation because I stole a chewing gum machine. I was sentenced at the juvenile court in Manchester and two police officers took me down to Foston Hall detention centre, on the border of Staffordshire and Derbyshire. It was December and it was dark when we got there, it was a big sort of gloomy Victorian building with barbed wire fence round. We went into the reception area and this guy told me to stand on the white line and give my name, I said “Eric Allison” and I was going to say “Sir” but because of the stammer the Sir wouldn’t come out. The guy just walked across me, clenched his fist and punched me really hard across the face. I was so frightened because I thought if he could assault me in front of two police officers, what were they going to do when the police were gone? I was terrified so much that I wet the bed in the cell that night. They put me in a dormitory with other kids who wet the bed and they used to wake us up every hour to go to the toilet whether we wanted to or not. We were knackered because it was run on the military lines. You’d never stop.

“You wouldn’t let the system beat you”

The detention centre was meant to be a short sharp shock. The idea was to frighten the life out of us so we wouldn’t come back, and of course it didn’t work. This comes back to the defiance, you start sticking together and it becomes us against them or them against us and you become determined not to let them win. You wouldn’t let the system beat you.

I’ve been locked up with murderers, terrorists, rapists and psychopaths. You name it, even gangsters. I’ve seen a lot of examples of prisoners behaving badly towards one another, but if I was to list the worst twenty acts in humanity that I have ever seen in prison, not one of them in the top twenty would be carried out by a prisoner. I’ve seen six or seven prison officers beat people to pulp, with sticks, and I have had it, I’ve been beaten and batten myself. There had been times when I thought: “These bastards are going to kill me.” 

 “I got a buzz out of it”

Not many days would go by when I didn’t commit a crime. I loved the excitement; I got a buzz out of it. I miss that excitement even now. It was never about the money, it was actually the taking part. The buzz… I got a buzz from it without a shadow of a doubt.

Around 1968, I was sent to Strangeway’s prison for 4 and a half years, this was the longest time I spent away in one go because I lost all the remission I may have got for good behaviour. In the 60s, it was a stinking place, all the “slopping out” because there was no in-cell sanitation then, everything was lousy, visiting was lousy, the staff were lousy too; there were a lot of bullies, a lot of thugs. I spent a long time in segregation.

On April fool’s day 1990, a time where Allison was at liberty, a riot broke out in Strangeway’s Prison. The protest lasted 25 days, the biggest in British Penal History.

Prisoners protesting on the roof at Strangeways Prison
I was out of prison but I remember it, I had been somewhere Sunday morning and I came back home and my stepson said: “It’s gone off at Strangeways, it’s on the news” and I drove down straight away and I saw them all on the roof and it was quite…quite emotional because I had a very bad relationship with the place. I hated the place and to see these kids on the roof I actually felt quite jealous in a way. I wanted to be there on the roof.

I took a loud-hailer down with me most days, and I was shouting up to them on the roof and I was talking to people, all of the press that were there, I was telling them what was wrong with the place. I just felt quite emotional; they did something that we had never managed to do. I was elated for them, but also concerned because I knew the ring leaders would pay a very heavy price and so they did.

In 1996 Allison was sent back to Strangeway’s prison, he was sentenced to seven years for scamming £1 million from Barclay’s bank. This was the last time he was in jail, serving just over 3 years.

When I went back in the 90s everything had changed, but the biggest change was the attitude of the staff; all the thugs had gone. I had my own moral boundaries that I wouldn’t cross in crime. I thought in a way I’ve always been a good criminal, but when the system is cruel and unjust then the criminal becomes the victim.

Freedom is a funny thing, I came out just at the millennium but even now I get feelings, and I visit prisons quite a lot so it still takes me back. Prison changes you…It’s a bit like, you know, you….you sort of get solitude…

The first time I was in a cell on my own it was very lonely, and I found the loneliness quite difficult. You make a virtue out of a necessity and I began to embrace loneliness then. I find it difficult to live with people. I’m much better off living alone. I think prison has a lot to do with that.

My eldest girl was at University while I was away and she had told me that somebody would say “What does your dad do?“Oh my dad’s a thief” - but having got the job she says “my dad writes for the Guardian”. That was a good moment in my life.

I always enjoyed writing; it was always the one thing I was good at in school. I like words and I got my education in prison. The Guardian advertised for the position and I applied for the job. They wanted a 500 word essay and a CV, but my CV was all prison and crime. I never thought for one second that I would get the job; I didn’t even think that I wanted it. I just thought I would tell them what was wrong with the prison system.

I couldn’t type; I didn’t know one end of the computer from the other. I had to start absolutely from scratch. When they said the jobs yours I had to go away and think about it. I just knew it would be a massive change. I can’t remember when I didn’t steal… I was five or six when I started nicking stuff, I was quite frightened by the idea of being a straight go-er and even now I feel like a bit of an imposter sometimes.

This will be my eleventh year at the Guardian now, sometimes it seems as if I have been here all my life and other times it feels like I’ve just arrived. Occasionally I do stuff for ‘Comment is Free’ and they’re always very apologetic it’s only 90 quid, but I say, “Are you kidding?” In prison I used to get put in segregation for saying my piece and yet here I am giving you my comments and my thoughts and getting paid…it’s odd.

If it hadn’t have been for the job, I would still be at it without a shadow of a doubt, because that would be the only thing I knew. 


A version of this article has been published on The Justice Gap, a trade magazine on the law and justice. Click here.

Sunday, 4 May 2014

Justice must not only be done; it must be seen to be done

Court reporters are usually huddled in the press box, with their notebooks in hand and 100wpm shorthand under their belt, but now with the exception of certain cases, they can rely on one video-journalist to capture the proceedings live from inside the courtroom. 

Since 1925, cameras have been banned in courtrooms in England and Wales, and journalists have lived by their mantra of being ‘the eyes and ears for the public’. This ban was lifted at the end of last year when cameras were installed at the Court of Appeal meaning access would no longer stop at the door.

The courtroom has always been a rich source of stories for journalists. The gripping and gruesome quotes in the judges’ summing up - captivates readers, leaving them hooked and astonished by some of the most horrendous acts committed by humans. However, some may find that they do not have the time to grab the daily newspaper and that watching a visually powerful image, on the go, is far more engaging, accessible and efficient.

Anyone interested in the legal system can choose to switch on and follow the chosen televised case. The idea here is that justice will not only be done, but will also be seen to be done, targeting a larger audience by providing transparency and open access to justice for all. We should consider that this may come at a cost for the reputation of journalists, as the public may lose trust in editors who risk sensationalising content that may be perceived as entertainment rather than for the purpose of reporting news. Particularly if the defendant has previously been in the media spotlight, it may feel as though journalists are glorifying their trial as it’s aired or splashed across front pages. 

The principle of televising proceedings will be applauded by many in the legal profession, with the general thought that it was long overdue. Although many may gain an educational insight in watching it, it is easy to fall into the trap of watching for the sheer pleasure of seeing the most recently publically ‘hated’ figure, ridiculed in the hot seat. However, doesn’t this tarnish the philosophy that justice should be a serious matter?

What’s to say that people won’t play up to the cameras? 
We have to consider the behaviour of the judges and the lawyers here. They know they are being watched. Take for instance the current case of Oscar Pistorius in South Africa. He is a public figure that has been in the media for over a year now since it was reported that he shot his girlfriend Reeva Steenkamp on Valentine’s Day 2013. Although we cannot see Pistorius when he is in the witness dock, we can hear all of his answers and emotional sobs. This really dramatises the case, bringing the trial to life, as viewers are hooked as it unfolds by the day.

We have seen the prosecutor laugh in response to Pistorius’ answer, and the judge demand for the public gallery to stop their careless whispers, and to reiterate that this is not an entertaining matter. It can be argued that a high profile case such as this, with a vast amount of public attention on their every move, heightens the tension and pressure for those involved. We cannot ignore the fear and anguish that the defendant may feel, and more importantly the victims who may be put off the idea of coming forward. After all anyone can tune in and watch their personal and private ‘business’. This is potentially fatal, leading to a new generation of silent victims who have been deterred from coming forward.

Taking these new advances into factor, rumour has it that television companies don’t want it to stop there. We may be able to hear them, but what they really want is to be able to see the ‘celebrity’ figure in the dock framed for shameful charges. They may argue that it would make good TV, but it could be deemed to be a mockery to the criminal justice system.

Going to court is not on an average person’s daily agenda, but many more are likely to turn on the TV in the comfort of their own home. When people watch the news they are usually faced with a journalist speaking outside the usual bland court building, with the occasional glance to their notebooks in hand. Often when producing a video report it lacks visuals, with merely a mug shot, or the rushes of the accused walking in and out of the court. With the luxury of gaining access in to the courts, we can avoid the robotic and structured reports that usually involve a verbal reel of facts. Crime and the courts may not be everyone’s cup of tea, and therefore those without an interest will find listening to legal argument and court jargon pretty dull, repetitive and dreary. 

With the murder trial of Pistorius, we have seen him in the dock for days on end for hours at a time. Broadcasters, in particular Sky News, produce a special programme to repeatedly play the highlights of the day.

Social media has also played a significant role in reaching a larger audience, with journalists tweeting live from inside the courtroom. This live feed recaps what is being heard in court. 

Other features include subtitles on the screen when the defendant’s mutterings are not audible, and as a viewer we can see photographs and exhibits, within reason, when the legal teams refer to them.


Reporting on criminal proceedings demonstrates responsible journalism as it requires ethical judgement and a strong knowledge of what is safe to report when trespassing on legal ground. Audience trust is vitally important, and the reputation of a court reporter boils down to whether it is legally sound, abiding by the law of contempt of court.

Proceedings in the country’s highest court in the UK, The Supreme Court were already streamed Live on the internet, but now with access into the Court of Appeal the next step is awaiting the approval for the Government to consider filming inside the Crown Court.

This has been a landmark moment for Justice and Journalism, but it raises the question of whether it will end here, or if broadcasters will demand to see more.

Monday, 20 January 2014

Feature Formats

There is no such thing as a feature.

Don't pitch a 'feature' to an editor, you will be deemed an amateur - show you know what you are talking about, pitch a type of feature format.

There are several different generic types, including:

1. Profile - This is a living obituary, it is not an interview with a person, it's more like a CV. State the facts about their life.

2. Confessional Interview - This is a first person account on an experience or story that someone is sharing, they are 'confessing'.

3. Reviews - This is where the writer is commenting and reviewing something, rating it on their opinion. (Consumer reviews, Art reviews)

4. Documentary - This is a video documenting an event.

5. Investigation - This is where we initiate the story, lifting the lid on a story.

6. Observational - This is journalism. Throwing yourself into a situation where you can observe and report on what is happening.

7. Reader response - This is where you get the reader involved, setting competitions to get them involved.

8. Fashion - This is picture led, setting up photo shoots.

9. News feature - This is an extended news story, which is feature length. It does not have to have a peg*

10. Feature Interview - This is a interview with someone, where you want their opinion and views.

* A peg is a link to a real news story. From a feature length interview you can dig out a peg that is news worthy.

Editorial content is split into two: News and Features. 


News:
  • This is about "telling" the readers, stating the facts. 
  • It is a brief summary, aimed at a whole audience.
  • The length will vary, depending on significance. 
  • There is a defined style, every journalists will follow a structure.
  • Pictures are useful with illustrating the reports.
  • News articles are published instantly, breaking news.
  • Articles are written by staff reporters.
  • News is Events led, according to the "News Agenda" it is sensitive to time. 
Features
  • This is about "seeing", finding ways to show the readers. 
  • They are detailed, and length, aimed at a niche sections of readership.
  • The length will be fixed, and word counts are important due to editorial structure. 
  • There are many different styles and generic types of features [as discussed above]
  • Pictures are essential, including graphics 
  • Features are published according to schedule they are pre-planned.
  • They are done by production staff and freelancers.
  • Features of production led, to fit the schedule and structure of the newspaper/magazine. 


"People come for the news, but stay for the features"

Features define the 'tone' for newspapers, whereas news is just news. Readers will come for the headlines and daily news but be interested by timeless features. Barkers are used at the top of newspapers and along the sides of online websites to attract traffic, they are the hooks to draw people to them. The job of features is to bulk out the site and make it 'sticky'.

The key to feature writing is to understand the various formats. In many ways subject matter is secondary to the format

Wednesday, 3 October 2012

News and Features

'People come for the news, but stay for the features" 

News is information that is happening now. It's breaking news and therefore a current discovery. It is about what people are doing, it most certainly is not their opinion.

Features are factual and about news, but not in the sense that it is happening immediately.

Features are important in setting the 'tone' of the newspaper, whereas news is just news the consumer has very little option in choosing between one title and another.

There are several differences between News and Features:
NEWS:
The news agenda is 'events-led'
  • Consumer is told about the news in a brief and summarising way
  • It is aimed at a wide audience, the whole public
  • The length of a news story can vary
  • There are defined styles of writing news
  • Pictures are useful
  • News is published instantly by staff reporters
FEATURES:
Features are production-led (fitting to schedule and structure of magazine or newspaper)
  • Consumer sees the feature in a lengthy and detailed format
  • It is aimed at a 'niche' readership
  • The length is fixed by editorial structure 
  • There are many types of styles but also generic styles too
  • Pictures and graphics are essential 
  • The feature will be published according to schedule by production staff and freelancers
Examples of broadcasts which consist of news, features or both are as follows:
Monthly Magazines > Entirely Features 
Rolling TV or Radio News > Entirely News
Newspapers > Mixture of News and Features 
Scheduled Shows e.g The Today Programme > Mixture of news with mini-features 

Broadsheet Newspapers > Now run feature 'puffs' which are adverts for articles above the titles, so when you see the paper folded in the news agents, it is the 'puffs' which potential purchasers see. 

There are several different formats for features:
1. Confessional Interview - This is when a person is 'confessing' about something in their private lives or telling us about a personal experience, it gains general human interest as people can read and relate to "My True Story..."
Closer Magazine 25 June 2011
2. Photojournalism - This is a key feature in print, the craft of photographic story-telling is vital to capture character and personality of an individual and to help us visualise events. 
3. Profiles - This is when words and facts are used to paint a picture of somebody, essentially a living obituary. 
4. Consumer Reviews/Art Reviews -  Reviews answer two questions; What is it? Is it any good?
5. Comment/Analysis - This is simply what we say
6. News Feature -  These are "wrap-up news articles" which are printed around news pages or during a scheduled news bulletin. 
7. Feature Interview - This is reporter led, the reporter and the interviewee e.g celebrity star in this feature. The whole feature is based around this interview, typical style of interview is based on "Your chance to meet the real...". 
8. Investigations - This is where the journalist initiates the story rather then following what has happened in court, parliament, council or other schedule meetings. It's a story not on the news agenda, it has been discovered and investigated. 
9. Observational - This is where journalists act as a 'fly on the wall' overseeing events and reporting it, it's about painting pictures with words.
10. Reader Response - This used to be where readers would send letters and write in, but now it is more technologically led, e.g internet responses such as emails, twitter and reply forms 'have your say'.